Friday, December 28, 2012

What's Coming in 2013 and Beyond - And How to Deal

What's Coming in 2013 and Beyond - And How to Deal with It

Winter Solstice of 2012 has come and gone; we are now part of a new "B'ak'tun" (or Mayan long cycle). And of course, our lives are physically the same as before. But is there something different? And if so, how can we deal with it?

To all appearances, one day is still pretty much like the next. And yet, there are huge changes - immense changes - going on all around us. And what is perhaps most indicative of the times is that all these changes are converging. We're dealing with not just one or two big things, but a great number of very big things, all of which are crashing into each other - more or less all at once.
 

Antarctic ice mass crashing

Climate changes are evocative of other sweeping forces impacting our lives

Last night, I read a column by Sara Nunnally, who described our current situation an economic winter. The contributing factors included an ongoing crisis in confidence, a credit crunch, falling interest rates (to be followed by a rise, then a much lower fall), and others. The overall impact pointed to long-term economic challenges.

So we start putting this together. Our big picture?

The earth seen from Apollo 17

We have a rate of change in our lives that is absolutely unprecedented in human experience.

It's not just one thing, or another. It's not just the collision of a growing world-wide population with a decrease in "cheap energy."

It's not just an maturing demographic, with more workers reaching retirement and wanting Social Security and Medicare, with fewer workers earning dollars to support the government expenditures. It's not just the financial collapse of 2008-09, with others on the horizon.

It's all of these factors, plus more.

It's the simple fact that our technical growth - the rate of change in our communications, in our data storage, and many other factors is now racing towards an unimaginable future. Literally. We're heading into scenarios where our minds - our imaginations of what the future will be - will not be able to keep up with what the future is actually becoming.

(To be continued ...)

Wednesday, October 17, 2012

Cultivating Our Core Power Archetypes: First Stage in Becoming a "Master of the Universe"

Six Core Power Archetypes: First Step in Mastery

Mastering ourselves is the first step in becoming a "Master of the Universe."

The Kabbalistic Tree of Life: A Roadmap for Personal Mastery

Several millenia ago, some very insightful mystics and seers somehow discerned that the "roadmap to God-consciousness" (and complete mastery of who they were as human beings) could be described as traversing through various "centers" or "realms of existence." They called these "centers" Sephiroth, and organized them in a map that has been called, throughout the ages, the Tree of Life.

There are ten Sephiroth. (These are the circles on the Tree of Life to the left.) Each Sephiroth represents something very specific - not only a "plane of existence" but also an aspect, or emanation, of God.

 

 

The Kabbalistic Tree of Life

These aspects (Sephiroth) are organized in a logical manner. The "softer, gentler, kinder" ones comprise the Pillar of Mercy (on the right), and the "harsher," more rigorous ones comprise the Pillar of Severity (on the left).

There are, potentially, 10x9/2 different connections between them. (Each one of the ten can connect with each of the remaining nine, and then these total paths need to be divided by two, so that they aren't counted twice.) This means that there are potentially 45 different "connection paths." In the Kabbalistic Tree of Life, though, only half of these paths - twenty-two of them - are actually defined and used.

This means that getting from one "center" (or state of consciousness, or realm of existence) to another is not just a "random-jump" sort of thing, but more like an ordered progression. Each step in this ordered progression has a certain meaning, and that meaning corresponds to an aspect of human experience. In fact, it corresponds to a significant step in our adult life journeys.

 

The Three Adult Life-Journeys

The last blogpost discussed this Tree of Life, and how the Major Arcana (from the Tarot) relate to the pathways between the Sephiroth.

We identified three sequences of seven steps (Major Arcana) each. Each of these sequences is a major adult life journey. From the previous blogpost, we recall that these are:

  • The Worldly Sequence: We access and cultivate each of six Core Power Archetypes, and integrate them - we are able to use each one as appropriate.
  • Turning Inwards: We begin to release our ego. At the end of this sequence, we start to access and cultivate intrinsic life energy, or ch'i.
  • The Great Journey: A time of destroying the last of the old "structures" that keep us imprisoned, leading to full realization of our life's purpose and being released to do our "great work."

 

The Worldly Sequence: Cultivating and Integrating Our Six Core Power Archetypes

Our first adult life journey takes us through the Worldly Sequence. During this time, we learn to cultivate each of the six Core Power Archetypes, plus a seventh step (integration):

  • Magician (Major Arcana Card I): Power to create "something from nothing."
  • High Priestess (Major Arcana Card II): Contemplative inner wisdom.
  • Empress (Major Arcana Card III): Nurturing and caring; runs on oxytocin, the "bonding hormone."
  • Emperor (Major Arcana Card IV): Strength, stability, structure, and order; the perennial "Program Manager," thrives on building and maintaining structures and things (ranging from a business process to an actual empire).
  • Hierophant (Major Arcana Card V): One of the least understood but most important archetypes, this is the mentor/teacher/guide, typified by fictional characters ranging from Albus Dumbledore (in the Harry Potter series) to Mr. Miyagi (in the Karate Kid) to (of course) Yoda and Obi-Wan Kenobi (in Star Wars).
  • Love-Goddess (Major Arcana Card VI): All about pleasure and play; romance, love-making, sensual pleasure in all its forms; she runs on dopamine, the "ecstatic pleasure" hormone.

Various blogposts, as well as sections in Unveiling: The Inner Journey, have described these various archetypes, as well as the seventh step, integration.

Most MOST Popular Post on the Six Core Power Archetypes and Integration:

The OTHER Most Popular Posts on the Six Core Power Archetypes and Integration:

Other Related Posts:

Tuesday, October 9, 2012

Becoming a "Master of the Universe": Three Essential Life-Stages

The Three Essential Life Stages: Why You Need Each, and How They Empower You

Don't we all harbor some secret longing to be a Master of the Universe?

Our ongoing fascination with (and often immersion in) the heroic actions of super-heroes tells us what is important to us: we desire to live a heroic life, to be much, much larger than the events and circumstances of our daily lives.

The way that we do this, in real life, is not to become a fantasy action-figure, but to go through each step of our adult life journey. This is actually a huge challenge, and one that taxes and challenges us as much as any story in myth or legend.

 

 

 

Congratulations - You've Found One of the Top Blog Posts in The Unveiling Journey

Congratulations!

Whether by luck or by design, you've come to the sixth most popular blogpost in The Unveiling Journey since the blog was started in 2007. (The six "most popular" blogs are selected by statistics current as of October 22, 2013.)

Since then, we've moved the entire blog series to a new location.

Here are some great reading choices:

 

Why the Transition to a New Blog Site?

  • Better Intralinking: You'll find related blogposts easier (look at the end of this post on the new site for good links),
  • Better Categories and Tags: Interested in a related topic? Want to see what else is covered? Look in the right-hand sidebar on the new site - check out the Categories (main topics) and Tags (people, books, events, and sub-topics), and
  • Improved Resources: Look for a Resources Page (main header menu); it will give you a different kind of access to related topics - from the antecedents (books inspiring this ongoing work) to future directions.

 

See you over there - and thank you!

 

Alay'nya (Alianna J. Maren, Ph.D.)

 

Post edited and content moved to The Unveiling Journey website, specifically to the Becoming a "Master of the Universe": Three Essential Life-Stages blogpost on Tuesday, October 22, 2013. Original post October 9, 2012.

Wednesday, September 19, 2012

"God is the Biggest Joker of All" - Book of the Month, September 2012

God is the Biggest Joker of All, by S. Alice (Alicja) Jones, is Book of the Month and First "Recommended Reading" for Alay'nya Studio Members

S. Alice (Alicja) Jones has written a book that combines personal story-telling with themes similar to A Conversation with God.

In an easy, conversational, and personal style, Alice (Alicja) tells how she both developed her intuitive gifts and her spiritual walk.

 

 

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S. Alicja Jones, a gifted intuitive, Reiki master, and spiritual teacher, has taught "A Course in Miracles" for many years, and credits it with saving her marriage.

In this book, her own "conversations with God" have no less spiritual truth in them than the sometimes more abstract and challenging "Conversations" and "Course in Miracles." However, the conversations in her book are often more personal, and more approachable, than either of the two aforementioned books. I find it helpful, in my own spiritual journey, to learn that others who have been on their path - diligently and for many years - still feel uncertainty, and have many questions.

While I've been studying (and grappling with) "A Course in Miracles" for almost a year, the "Course" is a multi-year, if not life-long challenge. It can be very "in your face" at times.

 

 

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In contrast, Alicja's "God is the Biggest Joker" is a gentler, more humane approach. The issues are the same, and the "conversations" here are those that every person who seeks an honest relationship with God must ask. But somehow, as Alicja conveys them, they seem much more like the questions that an "everyday" person (not someone who is already a mystic or saint) might ask. And the answers are both surprising and comforting.

This is the kind of book that can be read in a few short hours, and is a "comfort read." It's a good one to pick up at the end of a long work day, while coming home from a business trip, or if staying at home with the flu. It is inspirational and heartwarming at the same time.

And God's sense of humor, as revealed in this book, comes across as gently loving - the way that a parent or favorite teacher might be, when he or she teaches us to not take ourselves - or our lives - so very seriously.

Friday, September 14, 2012

Z Helene - Dancer, Choreographer, Teacher - Reviews "Unveiling"

Z Helene - Noted Dancer, Choreographer, Teacher, "Herstorian," and Spiritual Visionary - Reviews Unveiling: The Inner Journey

The newest 5-star Amazon review of Unveiling – posted just last evening – is by noted dancer, author, choreographer, teacher and “herstorian” Z Helene Christopher.

Z Helene's review is absolutely wonderful! Not just because it’s a glowing endorsement (it is), but because she so adroitly summarizes the thoughts, themes, and interwoven concepts and sources for Unveiling: The Inner Journey.

By reading her review, you’ll get a great sense of Unveiling’s nature – and also learn how a creative dancer, thoughtful researcher, and spiritual leader such as Z Helene applies Unveiling to her own life.

Z Helene writes:

Alay'nya has created a cohesive and enlightening gestalt that is both relevant and extremely useable, and this, I believe, is her true gift as an authoress. Potentially difficult information is presented in a way that is digestible and immediately accessible. We get practical hands-on exercises throughout the book (and at the end of each chapter) to guide us on our quests towards individuation. From tips on posture, poise, and presence to breathing and journaling techniques, Unveiling can also be considered a workbook to be used for small group study, akin to Julia Cameron's The Artist's Way.

 

 

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To read Z Helene’s review, please go to Amazon’s Unveiling page, and then scroll down and click on “See all 19 customer reviews”:

 

 

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If you’ve already read Unveiling, please go to the Amazon page and “Find Helpful” Z Helene’s review. (Also, please “Find Helpful” other 5-star reviews by noted scholars and author such as Morocco (writing as Carolina V. Dinicu), Donald Michael Kraig, Julie Rahm, and others.)

Then, go to Z Helene’s own site and read her excellent papers! I particularly like her one on Middle Eastern Dance: The Emergence of the New Sacred Temple Priestess. I’m finding what she writes is true in my own life, and you may find that you resonate with this as well. (Note also that Z Helene has produced some excellent instruction and performance DVDs; check them out – she’s received widespread accolades and respect for her work.)

If you haven’t yet read Unveiling, first read Z Helene’s review – which makes now for a total of EIGHTEEN 5-star Amazon reviews (yippee!!!), and then order your own copy as either a trade paper or Kindle edition.

Or if you’d like to get a dated, numbered, and signed copy, the Unveiling website gives info on book signings, radio and TV appearances, and other events.

You can purchase signed copies of Unveiling at these great independent bookstores:

North Virginia: One More Page Books in Falls Church, VA, offers books (with an emphasis on local interest/local authors), interesting wines, and exotic chocolates. What better combination for a sensual weekend of reading?

Tantalizing chocolates - right near the check-out counter at One More Page Books in Falls Church, VA.

(And just for fun, read Arlington Magazine's recent feature article about One More Page Books.

Albuquerque, New Mexico: Bookworks is a locally-owned, locally-operated, independent bookstore that was founded in 1984. "We were indie before indie was cool."

If you’re out-of-town, or can’t make it to either of these events (or to one of Unveiling's much-loved indie bookstores), you can STILL get a specially-inscribed (dated, numbered, signed) copy of Unveiling through Cleopatra’s Closet. (Order your copies now and stockpile as Christmas presents!)

If you’re teaching dance, consider using Unveiling as “recommended reading” for your students. And if you’re a member of a book circle, consider using Unveiling as one of your selected readings.

If you’re truly feeling ambitious, follow the Seasonal Study Guide with Unveiling, using the references for each chapter to augment your own self-discovery and unfolding.

Have a lovely, wonderful, and blessed day!

Yours in dance – Alay’nya

Thursday, August 16, 2012

Book of the Month: Dr. Christiane Northrup's "The Wisdom of Menopause"

Dr. Christiane Northrup's The Wisdom of Menopause - Now Richer than Ever!

You probably already know that the women involved in dance tend to be a little above-the-average (sometimes a LOT above-the-average) in terms of intelligence. Emotional intelligence, body-intuitive intelligence, expressive and movement intelligence, and good, old-fashioned, intellectual intelligence.

If you’re like me, you’ve been taking little imaginary “mini-vacations” using books lately. (That’s using our intellectual intelligence and creative, imaginative intelligence in tandem.)

Are you nearly over your “beach reads”?

I’ll confess – I’ve been doing a little “staycation” this week. Still “clocking in” to work (at my home office) every day – but have ripped through two totally “beach-read” novels in past two days alone. (Yes, that means staying up real late.)

But within a week or so, I’ll be over this, and interested in something more “solid.” Which brings me to Dr. Christiane Northrup’s books. Her loving endorsement of Unveiling (see below) has me re-reading her works again.

Dr. Christiane Northrup, New York Times best-selling author.

We have something in common, Dr. Northrup and I. We’re both professionals – she’s an Ob/Gyn practitioner, and my Ph.D. is in theoretical physical chemistry. She’s done a lot of mainstream medical work over her career, and I’ve been an inventor, with four patents in computer science and a book about neural networks (the computer sort; think the android “Data” from the later Star Trek series, with his “neural network brain”). But both of us have examined our inner worlds – gone on our own “inner journeys” – and have observed and inquired into what other people have been learning. And we’ve each put what we’ve learned in book form.

We’re similar also in that our “writing voice” is very warm, intimate, and personal. Somehow, we’ve each managed to escape from the dry, distant “academic voice” with which we were taught, and learned to write in a way that makes you – the reader – feel connected.

And you know what? I’m really enjoying reading her book, The Wisdom of Menopause. It feels like we’re having a cup of coffee together, and she’s telling me about her life.

Dr. Christiane Northrup's recently revised and updated The Wisdom of Menopause (Jan., 2012) is worth our time. (And I'm rereading it - and loving it more than ever!)

Her book is available in trade paper form from Amazon, and also as a Kindle download:

Dr. Northrup just sent me an email describing Unveiling as "delightful," and saying that it brings "divine sensuality to women." (Hooray for her! And hooray for me! So thrilled to get this accolade from an author as respected and loved as her!)

I reference The Wisdom of Menopause in Unveiling:

As described by Dr. Christiane Northrup in The Wisdom of Menopause, we become attuned to new pathways opening up for us at this time. With the monthly cycle of hormones diminishing, we have a more steady and consistent "baseline" for our self-observations. (Unveiling, p. 125)

If you're just beginning your "inner journey" - or are well into the midst of it - Dr. Northrup's book(s) and my own Unveiling make great hand-in-hand reads. Check us both out!

And as you make the transition from purely a "beach read" to something more substantial - what are you reading now? And what's "in your bag" for Labor Day weekend?

Comment below - nominate your favorite reads - and I'll select one to blog about the few days before Labor Day - so others will tune in to your favorite book!

Wednesday, August 8, 2012

"Unveiling: The Inner Journey" Celebrates First Year Anniversary!

The Unveiling Community Celebrates First Anniversary with Gala Party

On Saturday, July 28th, founding members of the Unveiling Community - and new ones as well - gathered at Alay'nya's home to toast the first anniversary of publication.

As featured in a McLean Connection article on "Pathways for Today's Heroine", by writer/photographer Lori Baker, guests each had a story to share about their own "inner journey."

From left to right, Kim Murray, Alay'nya (Alianna Maren), and Katherine ("Kate") Hanna. Photo by Lori Baker, McLean Connection. Used with permission.

(If this link doesn’t work, please go to: McLean Connection, click on “McLean” (upper right-hand corner of the title bar), and look for the article (central column) titled “A Pathway for Today’s Heroine.”

As described by Ms. Baker, writing for the McLean Connection:

"Last week, McLean author, Alianna Maren’s living room was filled with fascinating women. There were old friends, and new friends, several of whom edited or contributed to her recent book, "Unveiling: The Inner Journey."
"The women gathered in her home, on a wooded and peaceful neck of McLean, to celebrate one year of the book’s publishing. Each guest had a unique background, and a special reason for being there. Among them were authors, dancers, a women’s organizational consultant and life coach, and a spiritual teacher, just to name a few. Each had an opinion of the book’s message, and each articulated the need for such a book in today’s world."

Social commentator and activist photographer/videographer Kim Murray, whose thoughts on the Heroine's Journey were captured in Unveiling, advocated teaching young women to embrace their life's challenges. Her own story (for which her nom de plume Kirene is used) is featured in Unveiling's Chapter 6, "The Hero's Quest - and the Heroine's As Well!," pp. 72-74. As Kirene expresses it:

"If little girls were exposed to the female vision quest, and learned early on that life is full of victories and obstacles that must be overcome ... then girls growing into womenhood would be better able mentally and emotionally to navigate ... turbulent waters and resolve the perceived insurmountable."

Unveiling's editor, Katherine Hanna (seated right in the picture above) contributed to how Unveiling described the role of a Heroine's Journey, as distinct from the well-known Hero's Journey. Ms. Hanna offered the character of Lyra, in the movie The Golden Compass, and Sarah, in the movie Labyrinth, as examples of young women going on their Heroine's Quests. Lyra's goal was to rescue other children, including her friends. To do this, she had to do something in common with all Heroines - find and heal her most significant ally. Sarah likewise found and ennobled her allies. This characteristic of healing and empowering others is a distinguishing feature of the Heroine on her Quest.

Two other guests, Nicole Cutts, Ph.D., and Barbara Jewell, each spoke of how their lives had Heroic Quest aspects. Dr. Cutts (DC's "Success Doc") is a success coach for women who want to bringing their life-vision into reality. She was inspired by Unveiling's description of how Heroine's Quests are an important part of how we create our own success stories. She has hosted numerous women's Vision Quest Retreat, with her newest (the "Social Media Butterfly" event) to occur this weekend.

Nicole Cutts, Ph.D. (left) and Barbara Jewell (right). Photo by Lori Baker, McLean Connection. Used with permission.

Barbara, who has lived abroad extensively, talked about how the experiences of shifting from one culture to another created a Heroic Journey for many young people as they navigated cultural transitions. This same theme resonated with author Charise Hoge, who also attended the event.

Sunday, July 22, 2012

Editorial Reviews of "Unveiling: The Inner Journey"

Two New Editorial Reviews of Unveiling: The Inner Journey - "Groundbreaking" and "Fascinating"!

Two new editorial reviews have come up in the past several days for Unveiling: The Inner Journey:

"[a] groundbreaking book ... full of research and stories ..." - the McLean Connection, written by Lori Baker, and

"... an intellectual approach. ... [with] references to biology, chemistry, psychology, history, mythology, religion and more ... a culmination of all disciplines wise and helpful all in one place, with belly dance woven throughout ... a fascinating read with so much wisdom and solid advice." - iShimmy.com, written by Nizana el Rassan

Wednesday, June 13, 2012

WAMEDA Pays Tribute to Gerson Kuhr aka the "Fitness Pharaoh"

WAMEDA (the Washington Area Mid-East Dance Association) Pays Tribute to Gerson Kuhr, Long-time WAMEDA Board Member, Master of Ceremonies, and Fitness Trainer

Gerson Kuhr, aka The Fitness Pharaoh, has been an active member and supporter of the WAMEDA community for more than two dozen years. The July/August 2012 edition of the WAMEDA Journal will highlight his contributions to the WAMEDA community. This blogpost presents additional material about Mr. Kuhr, focusing on his role in supporting dancers through physical fitness coaching.

As the area’s reigning “Fitness Pharaoh,” he’s coached some of our best performers, and developed and produced a fitness DVD specifically for belly dancers – starring some of the area’s finest! He’s been Master of Ceremonies in more shows than any of us can recall. He’s even performed a cameo role in several of these. (One or two such roles were even as a “personae” within a dance.) Who else can this be but Gerson Kuhr?

In addition to the many ways in which he has enriched and ennobled our dance community for many years, he has played a particularly active and significant role within the Washington Area Mid-East Dance Association (WAMEDA) itself: He’s been a Board member (several times), and for many years, together with his wife Cindy, he was Co-Editor of the WAMEDA Newsletter. In addition, he has attended nearly all of our shows, whether or not he was called upon (as he usually has been) in his time-honored role as Master of Ceremonies.

Gerson Kuhr as Master of Ceremonies in Alay'nya's Diamonds, the Casablanca Restaurant, 2003. Mr. Kuhr played the role of the Jeweler, viewing the various "jewels" in his collection.

In the following, Alay'nya interviews Mr. Kuhr about his role in the dance community.

Alay’nya: How did you come to be interested in Mid-Eastern dance?

Gerson: Even in my youth, I was dedicated to physical fitness, and became top-ranked within my school’s Presidential Physical Fitness program. At that time, my only exposure to Mid-Eastern dance was through small glimpses in the movies. Later, when I had a chance to see my first professional Mid-Eastern dancer perform, I was completely impressed with the precision and completeness of her physical control; the isolations and undulations. I recognized that Mid-Eastern dance, as an art form, blended sensuality with very demanding physical mastery.

Alay’nya: You’ve played many roles in the WAMEDA community, both literally and figuratively. How did you get involved with WAMEDA?

Gerson: My wife, Cindy, was studying with (the renowned Silver Spring-based dance performer and teacher) Artemis. Artemis gave Cindy a copy of the WAMEDA journal. (It just happened that this was a journal where the cover featured Artemis!) Cindy and I went to the next meeting, and from there, our involvement with the WAMEDA community grew. Cindy and I were co-editors of the WAMEDA Newsletter between 1998 and 2006. All in all, we published 48 editions.

Alay’nya: Your fame as a fitness trainer and coach for Mid-Eastern dancers began to spread then. How did that happen?

Gerson: Donna Gregory (formerly Editor of the WAMEDA Journal), asked me to write a fitness article for the WAMEDA Journal. This led to more articles, and she dubbed me “WAMEDA’s Personal Trainer.”

Alay’nya: After your role in fitness coaching became known throughout the WAMEDA community, others asked for your inputs. How did this happen?

Gerson: Bob Winn and his wife Shalimar Serene, co-publishers of The Caravan Magazine (a belly dance magazine publishing up through the late 2000’s) requested an article series. I wound up doing 40 articles under the tile “Caravan’s Personal Trainer” for The Caravan, between 2002 and 2005.

Alay’nya: How did this lead to your DVD, Core Training for Belly Dancers?

Gerson: It was actually Janet Quinn who immediately understood the significance and power of core training for belly dancers. She brought up the notion of doing a DVD, saying “Your exercises are so good, you ought to put them on a DVD.” She believed in what I was doing, and was the inspirational force behind my developing Core Training for Belly Dancers, which featured Aliya, Amustela, and Nimeera demonstrating the movements, and was produced by Yasmin, who has an excellent production studio and who has produced several notable DVDs. We launched in September 2006, and sales have been steady ever since.

Alay’nya: My book, Unveiling: The Inner Journey, mentions your fitness training DVD:

“One very excellent resource is Core Training for Belly Dancers, a DVD produced by Gerson Kuhr, aka ‘The Fitness Pharaoh."
Though designed to meet the needs of dancers, almost all women can benefit by following either of the two routines demonstrated on this DVD.” Why did you choose leading area belly dancers to star in your fitness routines, instead of going with the industry-recommended “fitness models”?

Gerson: I had been coaching leading area dancers for some time, and felt that the three ladies that I chose – Aliya, Amustela, and Nimeera – not only represented different age groups and performance styles, but that dancers who knew them as performers would rapidly understand the connection between their physical conditioning and their superb performance skills.

Mr. Kuhr produced the highly-ranked and well-received Core Training for Belly Dancers fitness DVD.

Alay’nya: Jerry Thompson, Co-Founder of Dancer: The Unusual Store, has said about you:

“Although Gerson and Cindy may be best known for their work on the newsletter we should also remember their other contributions as members of the board and contributions to WAMEDA shows.”
You’ve not only been one of the area’s most-desired Master of Ceremonies (MCs) for WAMEDA and other shows, but you’ve actually been featured in some. How did this come about?

Gerson: It started when Laurel Victoria Gray asked me to play a minor role in her magnificent work, Egypta (premiering at the Kennedy Center in 2003). Later, when she needed a new male lead to perform as “Pharaoh,” she asked me to take on that role. This is when I began to be known as “The Fitness Pharaoh,” and the picture taken of my from the Egypta performance is the one on my DVD.

Gerson Kuhr in his role as Pharaoh in Laural Victoria Gray's Egypta, 2003.

Alay’nya: This led to other cameo roles, didn’t it?

Gerson: Yes, I was the Jeweler as well as the MC for your show, Diamonds, held at the Casablanca Restaurant in 2003. Also, I helped Amustela reprise a classic Samya Gamal movie role, acting the part of the “interested gentleman” around whom Samya (and later Amustela) flirtatiously danced. (Author’s note: The referenced movie clip came from The Stars of Egypt collection produced by Hossam Ramzy, where Vol. 3, Part 1 focuses exclusively on Samya Gamal.)

Alay’nya: Amustela notes that you were the first to recognize the similarity between her evolving (and always creative) dance style and the elegant and beautiful Samya Gamal. She says:

“The thing about Gerson that always endears him to me was after the very first time he saw me perform (at a WAMEDA Hafla in 2000), he said how I reminded him of Samya Gamal – what he did not know is that Samya Gamal had been an inspiration and idol of mine for years – it touched me deeply that he saw that in me. To this day anytime he MC's an event he always introduces me with that reference to Samya, and I love him for it every time!”

Gerson: Amustela has always been very dear to the entire WAMEDA community, and is one of the most creative performers that we have right now. It was great to recognize that she was an emerging talent in the great tradition of some of the world’s leading performers.

Alay’nya: Thank you, Gerson! We appreciate your time for this interview. The entire WAMEDA community is enormously grateful to you for your support and encouragement over many years.

Sunday, June 10, 2012

Karen McLane's "Crowning of the Woodland Queen" - A Powerful Work for Our Time

Karen McLane's The Crowning of the Woodland Queen - A Suitable Repertoire Work for Any Dance Company

When I was growing up (attending a Catholic school, no less!), we had the yearly ritual of crowning Mary, the mother of Jesus, as "Queen of May." Now of course the Catholic church has survived as well as it has, over more than two millenia, by successfully adapting and incorporating rituals and practices of earlier times.

Photo credit: Robin G. Jordan in Anglicans Ablaze. Traditional Roman Catholic and Anglo-Catholic ceremony of crowning Mary as the "Queen of May."





However, we have a much more ancient archetype of the "Divine Feminine," called by many names in many different cultures over time. Here, she is shown as the Woodland Queen.





Traditionally, one of the most powerful ways in which we humans have not only honored our most important archetypes, but understood their message and power in our lives, was through dance ritual and storytelling. Storytelling today - when done by a gifted storyteller such as Diane Wolkstein - continues to enthrall us because we are brought into the personal connection and energy of the storyteller's presentation.

Diane Wolkstein, performing at the National Storytelling Festival, Jonesborough.

However, dance ritual is the other way in which we have historically "told stories" to ourselves. This goes back for many millenia; far longer than any specific religious church, sect, or denomination in existence today. Dance ritual, in fact, is one of the defining characteristics of human civilization. No one makes this point better than Iris Stewart, in her defining book Sacred Woman, Sacred Dance.

Karen McLane, with her troupe Ancient Rhythms Dance Company, recently enacted one such dance ritual in their performance of the Crowning of the Woodland Queen, at the Montgomery Community Arts Center on Saturday, May 26th. Her The Crowning of the Woodland Queen brings to life one of the most ancient of ritual dance forms, yet suitably updated for our times.

There is a storyline here; a struggle not so much of good against evil, but more of light against dark. In that, the story is reminiscent of the heroic myths that we all know and love - ranging from Star Wars to the earliest stories of our time.

Yet, there is a significant difference between the archetypal struggle portrayed in the Crowning, as compared to the classic Heroic Journeys first identified by Joseph Campbell in his well-known classic, the Hero with a Thousand Faces.

In the older, "heroic" storylines, such as depicted in sagas ranging from the Odyssey to Star Wars, the hero vanquishes his opponent. In this newer, and more evolved storyline, the hero(ine) does the necessary vanquishing, but then brings her opponent (her "dark side") into herself as an act of integration. I emphasize this in my previous blogpost on the Crowning.

This is powerful stuff. It makes sense that we ask ourselves: where does this new, much more integrative and powerful storyline come from? Is it brand-new to humanity, or - as with Campbell's Hero - does it link with a much more ancient provenance?

We find an answer if we look into the first known collection of human stories; those about the great goddess Inanna, "Queen of Heaven and Earth."

The Inanna story is precisely what is being depicted in the Crowning of the Woodland Queen. Just as Joseph Campbell pointed out the underlying similarity of all heroic stories, there is a profound and poignant similarity between the Inanna myth and the Crowning.

"But wait," you might say, if you're at all familiar with the story first told in cuneiform tablets, and only popularized in this century. "Inanna didn't rescue herself; she didn't subdue her dark sister Erishkegal. In fact, Erishkegal put Inanna to death, and hung her on a hook to rot. And in Karen McLane's story, the Woodland Queen defeats the Queen of Shadows, and then integrates her."

And you'd be absolutely right. Inanna was indeed killed, and hung up on a hook. At that point, she was powerless to save herself.

However, Inanna was one smart cookie, and she knew what she was getting into even before she entered the Underworld.

Precisely because she knew what was going to happen to her, Inanna instructed her warrior-handmaiden Ninshubar to weep and plead for her in front of the Father Gods, should Inanna fail to return within three days. This is precisely what Ninshubar did, until Father God Enki relented and created two little "sprites" that he sent down into the Underworld to rescue Inanna.

The rest, as we way, is history. Inanna returns to her palace, and a new storyline unfolds.

However, for the first time in human history, we have a story of having a goddess (or even a god) encountering her or his "dark side." There isn't much time, as Inanna makes her fast and furious way back to the "regular world," for integration. For real, true integration, we need to look deeply into the story of Jesus of Nazareth.

This understanding of encountering our "dark side," and integrating it, has emerged with much more force in the last century. There has always been some understanding of it, but now, more and more people are becoming aware of this aspect of who-we-are.

Eckhart Tolle describes this as our pain-body.

I write about this in Unveiling: The Inner Journey.

So what should we do?

Recognize our shadow when it comes out. As the Woodland Queen does in the Crowning, we defeat our Shadow by taking away its power. But then, we don't spurn and abuse our Shadow. She is, after all, a part of us. Instead, we join with her. (T'ai Chi students will understand what this means.) We mirror her. (Neurolinguistic psychology students will understand what this means.) And then blend with her, causing her momentum to join with and aid our own. (Ba Gua martial artists and judokas and aikido practitioners will understand what that means.)

And if we're not practicing one of the internal martial arts such as T'ai Chi, Ba Gua, judo, or aikido?

We use our own dance art. We use it to pull up our stuff (because our "opponent" is inside ourselves, after all.) And we practice softening, relaxing, and releasing. All of our spinal release moves are designed to help us deal with this. You can read about this in Unveiling: The Inner Journey, Chapters 14-16.

And we go to see performances of the Crowning of the Woodland Queen, whenever we can. And take those whom we love; those who want some healing in their lives. And let the story of how the young Queen defeats and then integrates her Shadow encourage and empower our lives.

Tuesday, May 29, 2012

Karen McLane's "The Crowning of the Woodland Queen" - An Archetypal Story of Transformation

Karen McLane's The Crowning of the Woodland Queen Tells a Powerful and Compelling Story

This last Saturday, May 26th, Karen McLane's The Crowning of the Woodland Queen was a significant turning point for humanity.

As humans, we've used dance for many millenia - not just to entertain, but to transport. We've used dance in ritual and in storytelling. And even though we've had many new forms of storytelling emerge - everything from novels to movies - dance still plays an important role.

When we use dance to tell an archetypal story, one that triggers a powerful resonance in ourselves, we can shift how we feel as a culture. In fact, we can shift the entire nature of human experience on this planet. (Think of butterfly wings triggering tidal waves.)

I went to Karen McLane's new theatrical dance production, The Crowning of the Woodland Queen, hoping (perhaps against hope) that this would be the case. And most marvelously, my deepest desire was fulfilled.

But first, a point of comparison.

A month ago, I went to see Ballet Preljocal performing Snow White at the Kennedy Center. This was a highly-touted, sold-out performance. The dancers were all top-of-the-line professionals. The choreography was excellent and exciting. (The dance where the "seven dwarves" maneuvered freely up and down the "cliff face" in a form of aerial ballet was stunning!) The scenes were expertly set and the music by Mahler was memorable and evocative. (Strains still come through my mind.) Not only that, the costumes were by John Paul Gaultier. That in itself was worth the price of the ticket! And of course, I came home from the show uplifted and excited. After all, I'd seen some great art.

In contrast, Ms. McLane's production was at the Montgomery College Cultural Arts Center, seating about 300 persons. The dancers ranged from pretty good (and enthusiastic and charming) amateurs to pretty good professionals and semi-professionals, They were drawn from local dance schools (for the younger dancers) as well as from Ms. McLane's own troup, the Ancient Rhythms Dance company. The choreography was appropriate. In some cases, it was exquisite and lovely, in some cases, Ms. McLane did the best that she could with what she had in terms of dancer's capabilities. The stage setting and lighting were well done. The music was selected from commercially-known pieces; many of us in the audience recognized favorite pieces. However, the music was not original or unique to the show. The costumes were lovely and quite effective - the use of sequins and sparklies for the (sometimes dark) stage lighting was really just perfect. And while well-done, they were not quite at the same level of costuming by Gaultier. (No offense to Ms. McLane. But few of us mere mortals can compare with his creative genius!) Once again, I came home uplifted, excited, and even inspired. Because not only had I seen some great art (it's the effect that counts, not the various "moving parts"), but my soul was touched and transformed in a very special way.

I had intended to blog about the Ballet Preljocal performance. After all, what's not to write about? Fabulous show, great dancing, superb costumes! But a few days later, other things had taken priority.

Yet the day after I saw Ms. McLane's work, I knew that I would blog about this. In fact, blog more than once and from two different blogsites.

The difference between the two?

It's in the transformative power of the story.

After Snow White is brought from passive death-like sleep back to life by the kiss of her prince, the evil Queen Stepmother is brought to justice. According to the original Grimm's Fairy Tale (and as danced out in the show), red-hot iron shoes are strapped to the evil Queen's feet, and she is forced to dance until she dies. Pretty gruesome ending, isn't it?

In the Crowning of the Woodland Queen, there is also an evil, scheming, powerful woman: the Queen of the Shadows. She and her minions cast a spell, causing the to-be-crowned young Queen and her retinue to fall asleep. However, the young Queen wakes, and a battle ensues.

Point one: The young Queen rescues herself. She nearly succumbs to the potent sleep-spell, but she emerges and fights her own battle.

Point two: The young Queen takes the power away from the Queen of Shadows, but she does not hurt her. She removes the Shadow Queen's headdress, but does not punish.

Point three: The young Queen "integrates" the Queen of Shadows into her own retinue. The two dance together. The young Queen blends with the movements of the dark Queen. She "mirrors" her. These are techniques well known in areas such as T'ai Chi Ch'uan and even neurolinguistic programming (NLP). However, to see them in dance has a special meaning. These movements of blending and mirroring tell the story of bringing our dark side into alignment with our true selves. This is the kind of process that author Debbie Ford describes in The Dark Side of the Light Chasers.

So what kind of stories do we want to tell ourselves, and each other? Tales of harsh judgment? Tales where we "kill" our own "Shadow"? (And for all that we can be viciously cruel to ourselves, does this harshness ever work?)

Or do we want to tell ourselves stories of forgiveness, of acceptance, and integration? Of love, even? Of becoming whole?

Our nature as a human species is inextricably tied up with our species-wide "self-talk." We create our realities with how we create stories about our lives. Archetypal and allegorical stories are the most potent, because they speak directly to our innermost being. Let's honor and rejoice in the fact that a new level of "self-talk" and "storytelling" is emerging.

Ms. McLane's work may well be the progenitor of a new wave of storytelling. As it is, this work deserves widespread attention. It should and rightly could become "repertoire" among various dance schools and dance theater ensembles, much as the Nutcracker is a mainstay repertory story. There can and perhaps even should be segments of this show put into YouTube clips, and into DVDs, for use in dance education, theater, and dance therapy. And this is a show that should be refined, honed, and polished like a jewel - shown often and with great affection, as more and more people use the message of The Crowning to understand and heal their own lives.

Tuesday, May 8, 2012

Dec. 21st, 2012 - And the Next 60 Years

Beyond December 21, 2012: The Next 60 Years


For the past half-year, this blog has had a strategic direction. We are leading up to - and pointing the way beyond - the much anticipated "2012 Transition."

And as we move towards that time, anticipation and curiosity mounts. Will we wake up on the morning of December 22nd to find that the world has irrevocably changed? Will we wake up at all? Or will we get into our cars or take our "usual" route to work, stop by our "usual" favorite place for morning coffee, and have a big laugh? The "2012 Transition?" we might say to each other. "It was all a big joke, wasn't it? Like the Y2K 'crisis' - remember that? All 'much ado about nothing.' Life goes forward."

Or will we say something in a similar vein, but have our words mask a fear-bordering anxiety. A sense of unease, as when horses send a blizzard coming down off the plains. We'll feel an instinctual, primal urge to find a "safe place" in which to hide - but have nowhere to turn. We'll continue reading the news, listening to our favorite pundits on TV, picking up the Twitter feeds and the Facebook links. And all of the news will converge into our heads to give us just one clear message: A crisis is coming.

In fact, that crisis is already here.

The question is: What sort of crisis? How big? How difficult?

Will we survive? If so, in what form? And what do we need to do now to prepare?

Now's my time to "come clean" with you. I am proposing answers. But I'm not proposing "easy answers." It's not that I'm "middle-of-the-road" in terms of what I believe will happen, but I'm being very careful about what it is that we need to do about not only what is going to happen, but also what is happening right now.

These "not-so-easy answers" are based not on one specific area or another. So I'm not going to propose a "financial survival plan," nor a "head-to-the-hills" approach. Nor am I going to be totally "New Age." Yes, we're having a "singularity." (See work by early proponent Ray Kurzweil.) Yes, we are at a culminating point in human experience. And yes, there are a whole lot of "strange things" going on - in our lives, in the world around us - that are not part of our "normal" expectations and experiences.

But I'm not going to go all "woo-woo" on you either.

Where we are at - where we are precisely at - in human experience - is a Tower moment.

Take a look at these images. First, our recent past.

 Photograph by Spencer Platt, Getty Images

Perhaps no images in the last dozen years more succinctly capture the opening of this millenium than the destruction of the "twin towers" of the World Trade Center on September 11, 2001.

Now, a visual image describing a point in human evolution - both individual and species-wide.


The Tower card - Major Arcana XVI - from the Rider-Waite depiction.

The Tower image is deeply embedded in our cultural mythology. Specifically, we have a culture-wide deep-felt resonance with the "destruction of a tower" as signifying the fall of everything from a civilization to a person.

In Unveiling: The Inner Journey, I depicted the Tower role in our lives as when we suffer loss of everything that defines our ego. Most importantly, according to Tower imagery, this loss is not of just one thing. It is when we lose everything all at once. We lose our job, and the same week, the doctor diagnoses us with breast cancer. Or our husband files for divorce so that he can move in with his mistress, and our company is bought out by a mega-conglomerate - with impending re-organizations and layoffs. Or we realize that we need to move our mother into a nursing home - and take over storing and processing her "worldly goods," while at the same time our son is diagnosed with ADD and needs extra tutoring and attention.

A Tower moment is when it all comes apart, all at once.

We have them in our lives. I've had multiple ones (described in Unveiling).

Now, here's the important point: One that I didn't make in Unveiling.

Humans have Tower moments, and so do societies. And humanity itself is now in the midst of a Tower moment.

If a Tower moment is defined as the conflux of multiple devastating challenges, all at once, we now have a Tower squarely and firmly on our hands.

Because it's not just one thing.

It's the conflux - the simultaneous flowing together and cresting - of our oil/energy crisis together with the population boom. We're running out of the oil that we use for fertilizers and cheap food transport at the same time that we're in the midst of an unprecedented population surge, anticipated to go to 9B people in the next several decades.

Oil and Population graph by Paul Chefurka, Population, The Elephant in the Room.

We have a built-up world-wide financial crisis just as we're having increased financial challenges to deal with climate and ecological disasters. And we are certain that the horrific BP Gulf oil spill is just one of many such challenges that we'll be facing; as we go after more and more "difficult-to-recover" oil, and rely more and more on other sources - including nuclear - we'll have more energy-based accidents. Chernobyl and Fukushima were just the beginning. There will be more.

And the biggest point that I'm making here? It's not just the ecological devastation. It's that cleaning up after these massive ecological devastations will be necessary. And very, very expensive. And that will be occurring just as we need to rebuild port infrastructures and port cities, as the climate shifts and the oceans rise.

And we're going to attempt to do this as the greatest money-generating generation of this country moves from generating money to taking money. The Baby Boomers are starting to retire. They'll want Social Security and Medicare. Their retirement savings were largely wiped out by the 2008 financial debacle, and they'll be needing help - instead of providing an income base to support large-scale clean-up and climate adaptation efforts.

And I haven't even mentioned the social retooling that we'll need as transportation costs rise, and it is more and more costly to commute to work, to take vacations, even to go to the grocery store. (Where everything is going to cost more, anyway.)


And also, I haven't yet mentioned the near-certainty of massive plagues, unleashed with new, antibiotic-resistant bacterial strains and new viral combinations.

This is a Tower time for humanity.

Most of us keep trying to move forward with "life-as-normal," hoping that someday soon, we'll get back to "normal."

My point is that there is no longer any "normal" that we can go back to.

The era of Norman-Rockwell-images - of comfortable family homes with the white picket fences and stability for everyone - is in the past. It won't come back in our lifetime, or in the lifetime of our children. In fact, it won't be available for our children's children either.

We're in the midst of a profound shift, and there's no "normal" that we can go back to anymore.

But there is a "word of hope"; for us as a society - and as a race of human beings. And for each of us, individually, as well.

The "word of hope" is that there is something that lies beyond the Tower.

In this blog, I write about human experience - both individually and society-wide - using analogies and stories. I write using archetypes and metaphors. And fortunately (for all of us), I haven't had to invent the storyline. (In my "sister" blog, I write from the non-linear complex systems perspective.)


The "storyline" was given to us several thousand years ago, in the form of the Kabbalah. This depicts the realms of consciousness; essentially a path towards God-realization. That's why the Kabbalah has been studied by mystics for many centuries. (Jesus Himself very likely knew and understood the Kabbalah, together with his role in Kabbalistic terms. Another blogpost, another time.)

The Kabbalah lays it out for us. It presents the "created world" using the analogy of the Tree of Life. (See the picture to the left.)

The "centers" of this Tree are states of consciousness. The "pathways" connecting the Tree correspond to the Tarot's Major Arcana. And also (not so coincidently) to the pre-Phoenician alphabet, which later became the Phoenician, which laid the groundwork for the 22 letters in the Hebrew alphabet.

The Kaballah shows the course of evolution - both of the individual person, and of humanity overall. So people individually go through Tower moments, and survive. (I have, and you have probably done so, also.) Civilizations go through Tower moments. And now, humanity itself is in the midst of a Tower; very likely the greatest Tower time in the history of humanity.

What brings us hope is that there actually is a "step beyond." It's called the Star.


The Star card - Major Arcana XVII - from the Rider-Waite depiction.

Calm, lucid, clear. We get wisdom. Our life - what once was - is in shambles around our feet. But we're still here. And without the need to preserve something that no longer serves its purpose, we are free to receive insight and wisdom. It's as though we are naked in the world once again. However, we are naked in the midst of the flowing waters of life. We have all that we need, and more.

And beyond the Star, we have the Moon (bringing to awareness all the gifts of our intuition and subconscious awareness), and the Sun (energy, blessings, abundance). From this holy and wonderful moment, we rise in response to the Judgment call. But rather than being harshly judged, this is truly the moment when we joyfully respond to a literal "higher calling." We "rise up" beyond ourselves. We become that which we were meant to be.

And finally, one step beyond, we are united with God, in a flowing, ecstatic dance.
This, my friends, this dance-with-God, this joyous realization of the divine spark within ourselves, is what our human experience is meant to be.

And if we have to go through a Tower moment to get there, then so be it.

We'll do this, and we - as humanity - will survive. Not necessarily each one of us individually, but as a species, yes. We'll survive. But we'll survive transformed. We'll survive as those beings that we were created to be.

Now, to specifics.


We can greatly increase our chances of survival if we do certain things.

This is NOT a prepare-for-a-financial-meltdown missive. Nor is it a prepare-for-the-rapture directive. Nor are we going to find our next evolutionary stage by forming some mental symbiosis with a world-wide network of computers, as was suggested by Ray Kurzweil. (But for a very interesting read, linking to the latest data, visit Going Beyond Moore's Law.)

Rather, what we must do, if we're going to get through this Tower, is to evolve ourselves. We're going to have to let go of that which doesn't work. (That's a given; that's the nature of a Tower time.) But also, we have to get ourselves completely together.

Refer, please, to my previous blogpost on the holographic nature of our archetypal experience. The lesson there (which I'll develop more over time) is that we're individually - and collectively - going through all of our archetypal stages all at once. Yes, sometimes one thing is much more pronounced than others. (And right now, for humanity, it's the Tower.)

But because our lives are holographic right now - and very definitely not linear - we can go back and "fill in" what we've missed.

So our first big "life challenge" was archetypal integration. That was realizing and gaining mastery of the six core power archetypes about which I've been writing for the past half-year. (I introduced these in Unveiling: The Inner Journey. See Chapters 7 and 11; "A Real Woman's Path (Really Does Exist!)" and "Shifting State," respectively.) And while we're at it, we also need to identify and access our two "reserve" or "battery-pack" archetypes - the ones that we use when we need to rest and recharge. This gives us a total of eight "power archetypes", which we can map onto the Jungian system.

This is a starting point. And if we have to go back and do some remedial work, we can do this. In fact, as focused and mature adults, if we recognize the need to "fill in a gap," we can probably do so very expeditiously.

We then have an "integration stage." Actually, we have two integration stages. And the second integration step, which I've just gone through, is like a preamble to the Tower, only in a somewhat lower-key way. (And at that, it's still a real toughie.) This "second integration step" precedes a sort of mini-Tower; one in which we voluntarily leave comfort, safety, and familiarity in search of wisdom.

The end result? If we go through archetypal access and integration (the First Journey), and then the re-integration and the following steps (the Second Journey), we get to a point at which we start accessing some real internal power and capability. This is the Fountain-of-Youth, or ch'i creation, which I describe in Unveiling. (See Chapter 29: "Pragmatic Esoterics," as well as chapters leading up to that.)

Once we complete our two Journeys, we have not only "all of ourselves, altogether" (the result of integration and re-integration), but also some real vital raw energy - ch'i - with which to work.

Now unfortunately, there's one really more scary and horrific step - even before we get to the Tower. This is where we encounter the real nasty, dark, ugly stuff inside. (Think of Debbie Ford's Dark Side of the Light Chasers. Think of World War I, World War II, and genocidal purges around the world. Yup, been there all along - but a lot of real nasty, truly ugly has come out in the past 100 years.) This is the Devil stage, where we encounter the worst-possible. And the really worst part is that what we truly encounter is that which is inside ourselves.

It is this, of course, that unleashes the Tower. Encountering our own ego - in its worst form - is what brings about the destruction of comfort and removes the illusion of safety.

Pretty awful stuff, indeed. And the Tower time is no fun. Not for us individually, and not for humanity.

But if we can put this in context, we'll see that it is a necessary step, and a transition to the freedom and joy that we truly desire. We move beyond the Tower, and become that which we were meant to be. And at that moment, each of us will be able to say (taking words from A Course in Miracles), "I am as God created me."

So with that thought of love and encouragement, let's move onward. And through.

And for those of you who live in the Northern Virginia/Metro DC area, there will be an absolutely fabulous concert on Saturday, June 2nd, at the Langley High School. Performed by The McLean Symphony under the direction of Maestro Dingwall Fleary with Special Invited Guests, it will feature Beethoven's Ninth Chorale Finale (the "Ode to Joy") as its closing piece.

Let's use this to lift up our hearts and spirits, and gain encouragement for the times ahead.

We can certainly make it through the next sixty years. But a "joyful" heart will help us greatly.

Sunday, May 6, 2012

Artist of the Month - Maestro Dingwall Fleary

Maestro Dingwall Fleary - Celebrating Forty Years of Classical Music Leadership in McLean, VA

Maestro Dingwall Fleary, Founder and Music Director of both The McLean Symphony and the Reston Community Orchestra is working hard developing his Season Finale Concert for The McLean Symphony. This spectacular event will feature Beethoven's Ninth Symphony Choral Finale, the much-loved and ever-popular magnificent Ode to Joy.
Now why should this matter to you?
There are very few genius-level leaders who combine their artistic passion with intense devotion to their people. Forty years of "making music in McLean." This is with an all-volunteer symphonic orchestra. (Actually, two such orchestras. The McLean Symphony traces its ancestry back to Maestro Fleary's first founding of a classical chamaber group in McLean in 1971, and the Reston Community Orchestra has been in existence for 26 years.)
Some of his players have been with him for over two decades. Others travel for miles, after a hard day at their "day jobs," to rehearse with him.
Why? Because by working with Maestro Fleary, they achieve heights of excellence - greatness even - that they would not reach with any amount of hard work and passion on their own. Not if they are being "volunteers" in their musical efforts. (And relatively few of us can afford to do our artistic work full-time.)
The mark of "true genius" changes over time. When we are young, it is all about our own fire; our brilliance and our passion. We epitomize the Magician archetype. And bluntly, society will forgive a great deal of self-centeredness in the young artist, provided that the gift is commensurate. We cut the "emerging prodigy" a great deal of slack.
Then, the artist matures to establishing himself or herself. He or she becomes an Emperor, recognized as the "preeminent expert" in a certain area. Maestro Fleary, for example, is very likely the world's leading interpreter of Duke Ellington's works, such as Harlem, which he featured in a recent TMS performance.
Beyond that, there is yet another stage; the Hierophant. The Hierophant is the master teacher, the Obi-Wan Kenobi. Hierophants are one of the least-understood archetypes of our society. However, once we understand the Hierophant concept, we see Hierophants in action all around us. They're the senior executive who mentors the up-and-comer. They're the Youth Pastor and the Girl Scout Troup Leader. They're the college professor who always has an open door so that a student can come by and ask questions.
And even more than that, the most-developed Hierophants among us not only help us get through the college chemistry course; they help us have real, true, honest-to-God, for-real breakthroughs. These are the teachers whose books we read, whose audio CDs we listen to, whose blogs we follow. If we're really lucky, we get to interact with them in person.
That's why musicians travel from around the area for the privilege of performing in his orchestra.
Maestro Fleary was featured in Unveiling: The Inner Journey as an example of an "integrated person."